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A rigid cast, again often plaster, is built around the wax mold and the entire object is fired in a kiln. This both solidifies the plaster and melts the wax which drips out of the mold through the channels. This leaves a prefect negative of the artist‚s object into which the liquid bronze is poured. After it is cooled, the casting is removed from its plaster mold, the bronze which formed in place of the wax rods is removed, and the surface is ‚chased‚ once more, polished, and sealed.

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He attempted to return to Hunan again, but the Second Sino-Japanese War had already started and this had an unfortunate side-effect in that during his trip through the Japanese-occupied territories, he lost more than half of the translated text during the war events. Because Allegra was an Italian citizen, and the chaplain to the Italian Embassy, the Japanese occupiers of China did not intern him for long, and he could continue his translation work. But as the Chinese Civil War ended, the Chinese Communist Party took over China and Allegra and his team had to leave for Kowloon, in 1954 along with four Chinese friars he went to the Studium Biblicum in Jerusalem to study original biblical texts for about a year. He lived mostly in Hong Kong thereafter, and he organized the 1st Ecumenical Bible Exhibition in Hong Kong in 1965, christmas day in 1968 witnessed the culmination of his 40-year effort with the first publication of the one-volume Chinese Bible.]