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During the excavation of the Louvre, I've discovered a lion shaped ewer and some engraved ivory tablets. It has taken me years to decipher them. It would seem the author was Anselme de Beauvais a 14th century wizard. Listen to me carefully.

Impressionism, Fashion, and Modernity will present a revealing look at the role of fashion in the works of the Impressionists and their contemporaries. Some eighty major figure paintings, seen in concert with period costumes, accessories, fashion plates, photographs, and popular prints, will highlight the vital relationship between fashion and art during the pivotal years, from the mid-1860s to the mid-1880s, when Paris emerged as the style capital of the world. With the rise of the department store, the advent of ready-made wear, and the proliferation of fashion magazines, those at the forefront of the avant-garde -- from Manet, Monet, and Renoir to Baudelaire, Mallarme, and Zola -- turned a fresh eye to contemporary dress, embracing la mode as the harbinger of la modernite. The novelty, vibrancy, and fleeting allure of the latest trends in fashion proved seductive for a generation of artists and writers who sought to give expression to the pulse of modern life in all its nuanced richness. Without rivaling the meticulous detail of society portraitists such as Tissot or Stevens or the graphic flair of fashion plates, the Impressionists nonetheless engaged similar strategies in the making (and in the marketing) of their pictures of stylish men and women that sought to reflect the spirit of their age. Through May 27, 2013 - New York.

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